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As a child, his family (father Jim Grohl, mother Virginia Wendt, and older sister Lisa) relocated from Warren, Ohio, to Springfield, Virginia, a suburb of Washington, D.C. Three years later, when Grohl was six, his parents divorced,[4] and Grohl grew up living with his mother. His early influences also involved tutorials in drumming from "Treasures of the Earth" drummer Timothy Aldridge.
At the age of twelve, Grohl began learning to play guitar. He quickly grew tired of lessons and instead taught himself, honing his ability by playing in bands with friends. Soon he became guitarist for the punk rock band Midtown.[1][5] A year later in 1982, Grohl and his sister spent the summer in Evanston, Illinois at their cousin Tracy's house. Tracy introduced them to punk rock by taking the pair to shows by a variety of punk bands. "From then on we were totally punk," Grohl explained. "We went home and bought Maximumrocknroll and tried to figure it all out."[5]
In Virginia, Grohl attended Thomas Jefferson High School as a freshman and sophomore. He was elected vice president of his freshman class and played bits of songs by bands like the Circle Jerks and Bad Brains over the school intercom before his morning announcements. During his junior year, Grohl and his mother decided that he should transfer to Bishop Ireton High School in Alexandria because his cannabis usage was affecting his grades.[5] He attended Bishop Ireton as a junior and a partial year as senior from 1984-1986.
While in high school, Grohl played in several local bands, including a stint on guitar in a band called Freak Baby. While playing in Freak Baby, Grohl again became self-taught on another instrument,[1] after teaching himself to play drums on pillows, as his house was too small for a drum kit. When Freak Baby kicked out its bass player, Grohl decided to switch to drums, and the new band called themselves Mission Impossible.[5] During his developing years as a drummer, Grohl cited John Bonham as his greatest influence, and eventually had Bonham's three-circle logo tattooed on his wrist.[6] Mission Impossible later rebranded themselves Fast before breaking up, after which Grohl joined the post-punk-influenced hardcore punk band Dain Bramage.[7][8]
Many of Grohl's early influences were gained at the 9:30 club, a live music venue in Washington D.C.; he said, "I went to the 9:30 club hundreds of times. I was always so excited to get there, and I was always bummed when it closed. I spent my teenage years at the club and saw some shows that changed my life."[9] An amusing anecdote of that period at the 9:30 club comes from Urban Verbs singer Roddy Frantz: "Henry Rollins used to sneak in through the back door. Our roadie would let him in because he knew him from high school. He let Dave Grohl in, too, when he was some 15-year-old kid. I would've been nicer to him if I knew who he was going to be.
At the age of seventeen, Grohl scored an audition with local DC favorites Scream to fill the vacancy left by the departure of drummer Kent Stax. In order to try out for the audition, Grohl had lied about his age claiming he was 20.[10] To Grohl's surprise, the band asked him to join. After waffling for a brief period, Grohl accepted the offer. Grohl dropped out of high school in his junior year; he said, "I was seventeen and extremely anxious to see the world, so I did it."[11] Over the next four years, Grohl toured extensively with the band, recording a couple of live albums and two studio albums, No More Censorship and Fumble, on which Grohl penned and sang vocals on the song "Gods Look Down".
While playing in Scream, Grohl became a fan of The Melvins and eventually befriended the band. During a 1990 tour stop on the west coast, The Melvins' Buzz Osborne took a couple of his friends, Kurt Cobain and Krist Novoselic, to see the band.
A few months later, Scream unexpectedly disbanded following the departure of its bass player, and Grohl placed a phone call to Osborne for advice. Knowing how much Kurt Cobain and Krist Novoselic liked Grohl's drumming, Osborne gave Novoselic's phone number to Grohl. Novoselic invited Grohl to Seattle, where Grohl attended Nirvana's infamous show at the Motor Sports Garage, the one Nirvana show that featured Dan Peters on drums. (Grohl admitted to Rolling Stone magazine in 2005 that he spent most of Nirvana's set outside talking to a friend.) Grohl subsequently auditioned for the band, and soon joined them full-time.[13]
At the time that Grohl joined Nirvana, the band had already recorded several demos for what would be the follow-up to their debut album Bleach, having spent time recording with producer Butch Vig in Wisconsin. Initially, the plans were to release the album on Sub Pop, but the band found itself receiving a great deal of major label interest based on the demos. Grohl spent the initial months with Nirvana traveling to various major labels as the band shopped for a deal, eventually signing with DGC Records. In the spring of 1991, the band entered the studio to record the album.
Upon its release, Nevermind exceeded all expectations and became a massive success, catapulting the band to worldwide stardom. At the same time, Grohl found himself fighting with his status in the band. While his drumming style was a significant element in the band's success, Grohl saw himself as just another in a long line of drummers. In his mind, Nirvana was the band that recorded Bleach; his arrival had altered that sound dramatically, and, as he saw it, not necessarily in a positive way. Though Grohl had been writing songs for several years, he declined to introduce his songs to the band for fear of damaging the band's chemistry. Instead, Grohl compiled his songs and recorded them himself, releasing a cassette called Pocketwatch in 1992 on indie label Simple Machines. Rather than using his own name, Grohl released the cassette under the pseudonym "Late!".
In the later years of Nirvana, Grohl's songwriting contributions increased. In Grohl's initial months in Seattle, Cobain overheard him working on a song called "Color Pictures of a Marigold", and the two ended up jamming on it. Grohl would later record the song for the Pocketwatch cassette. During the sessions for In Utero, he decided to re-record the song, and the band released this version as a b-side on the "Heart-Shaped Box" single, titled simply "Marigold". Earlier, as the band worked on new material for In Utero, Grohl contributed the main guitar riff for what ended up becoming "Scentless Apprentice". Cobain conceded in a late 1993 MTV interview that he initially thought the riff was "kind of boneheaded", but was gratified at how the song developed (a process captured in part in a demo on the Nirvana box set With the Lights Out). Cobain noted that he was excited at the possibility of having Novoselic and Grohl contribute more to the band's songwriting.
Prior to their 1994 European tour, the band decided to schedule session time at Robert Lang Studios in Seattle to work on demos. For most of the three-day session, Cobain was absent, so Novoselic and Grohl worked on demos of their own songs. The duo completed several of Grohl's songs, including future Foo Fighters songs "Exhausted", "Big Me", "February Stars", and "Butterflies". On the third day of the session, Cobain finally arrived, and the band recorded a demo of a song later named "You Know You're Right". It was the band's final studio recording.
Following Cobain's death in April 1994, Grohl retreated, unsure of where to go and what to do with himself. In October 1994, Grohl scheduled studio time, again at Robert Lang's Studio, and quickly recorded a fifteen-track demo. With the exception of a single guitar part on "X-Static" played by Greg Dulli of the Afghan Whigs, Grohl performed all of the instruments himself.
At the same time, Grohl wondered if his future might be in drumming for other bands. In November, Grohl took a brief turn with Tom Petty and the Heartbreakers, including a memorable performance on Saturday Night Live. Petty asked him to join permanently, but Grohl realized that his future lay elsewhere, and thus he declined the invitation.[citation needed] Grohl's name was also rumored as a possible replacement for Pearl Jam drummer Dave Abbruzzese, and Grohl even performed with the band for a song or two at three shows during Pearl Jam's March 1995 Australian tour. However, by then, Pearl Jam had already settled on ex- Red Hot Chili Peppers drummer, Jack Irons, and Grohl had other solo plans in the works.
After passing the demo around, Grohl found himself with considerable major label interest. Nirvana's A&R rep Gary Gersh had subsequently taken over as president of Capitol Records and lured Grohl to sign with the label. Grohl did not want the effort to be considered the start of a solo career so he recruited other band members: former Nirvana touring guitarist Pat Smear, and two members of the band Sunny Day Real Estate, William Goldsmith (drums) and Nate Mendel (bass). Rather than re-record the album, Grohl's demo was given a professional mix by Rob Schnapf and Tom Rothrock and was released in July 1995 as Foo Fighters' debut album.
During a break between tours, the band entered the studio and recorded a cover of Gary Numan's "Down in the Park". In February 1996, Grohl and his then-wife Jennifer Youngblood made a brief cameo appearance on the X-Files third season episode "Pusher". (The two can be spotted walking in the FBI building, just after the Pusher character has put on his phony pass. Grohl pauses to look at his watch.)
After touring for the self-titled album for more than a year, Grohl returned home and began work on the soundtrack to the 1997 movie Touch. Grohl performed all of the instruments and vocals himself, save for vocals from Veruca Salt singer Louise Post on the title track, and vocals and guitar by X's John Doe on "This Loving Thing (Lynn's Song)". Grohl completed the recording in two weeks, and immediately joined Foo Fighters to work on their follow-up.
In the midst of the initial sessions for Foo Fighters' second album, tension emerged between Grohl and Goldsmith. According to Goldsmith, "Dave had me do 96 takes of one song, and I had to do thirteen hours' worth of takes on another one. ... It just seemed that everything I did wasn't good enough for him, or anyone else." Goldsmith also believed that Capitol and producer Gil Norton wanted Grohl to drum on the album.[14] With the album seemingly complete, Grohl headed home to Virginia with a copy of the rough mixes, and found himself unhappy with the results. Grohl penned a few new songs, recording one of them, "Walking After You", by himself at a studio in Washington, DC. Inspired by the session, Grohl opted to move the band, without Goldsmith's knowledge,[14] to Los Angeles to re-record most of the album with Grohl behind the kit. After the sessions were complete, Goldsmith officially announced his departure from the band.
Grohl's life of non-stop touring and travel continued with Foo Fighters' popularity. During his infrequent pauses he lived in Seattle and Los Angeles before returning to Alexandria, Virginia. It was there that he turned his basement into a recording studio where the 1999 album There Is Nothing Left to Lose was recorded.
In 2000, the band recruited Queen guitarist Brian May to add some guitar flourish to a cover of Pink Floyd's "Have a Cigar", a song which Foo Fighters previously recorded as a b-side. The friendship between the two bands resulted in Grohl and Taylor Hawkins being asked to induct Queen into the Rock and Roll Hall of Fame in 2001. Grohl and Hawkins joined May and Queen drummer Roger Taylor to perform "Tie Your Mother Down", with Grohl standing in on vocals for Freddie Mercury. (May later contributed guitar work for the song "Tired of You" on the ensuing Foo Fighters album, as well as on an unreleased Foo Fighters song called "Knucklehead".)
Near the end of 2001, Foo Fighters returned to the studio to work on their fourth album. After four months in the studio, with the sessions finished, Grohl accepted an invitation to join Queens of the Stone Age and helped them to record their 2002 album Songs for the Deaf. (Grohl can be seen drumming for the band in the video for the song "No One Knows".) After a brief tour through North America, Britain and Japan with the band[4] and feeling rejuvenated by the effort, Grohl recalled the other band members to completely re-record their album at his studio in Virginia. The effort became their fourth album, One by One. While initially pleased with the results, in another 2005 Rolling Stone interview, Dave Grohl admitted to not liking the record: "Four of the songs were good, and the other seven I never played again in my life. We rushed into it, and we rushed out of it."[15]
On November 23, 2002, Grohl achieved a historical milestone by replacing himself on the top of the Billboard Modern Rock chart, when "You Know You're Right" by Nirvana was replaced by "All My Life" by Foo Fighters. When "All My Life" ended its run, after a one week respite, "No One Knows" by Queens of the Stone Age took the number one spot. Between October 26, 2002 and March 1, 2003 Grohl was in the number one spot on the Modern Rock charts for 17 of 18 successive weeks, as a member of three different groups.
Grohl and Foo Fighters released their fifth album In Your Honor on June 14, 2005. Prior to starting work on the album, the band spent almost a year relocating Grohl's home-based Virginia studio to a brand new facility, dubbed Studio 606, located in a warehouse near Los Angeles. Featuring collaborations with John Paul Jones of Led Zeppelin, Josh Homme of Queens of the Stone Age and Norah Jones, the album was a departure from previous efforts, and included one rock and one acoustic disc.
Foo Fighters's sixth studio album Echoes, Silence, Patience & Grace was released on September 25, 2007. It was recorded during a three-month period between March 2007 and June 2007, and its release was preceded by the first single "The Pretender" on September 17. The second single, "Long Road to Ruin", was released on December 3, 2007, followed by the third single, "Let It Die", June 24, 2008.
On November 2, 2009 Foo Fighters released their first Greatest Hits collection, consisting of 16 tracks including a previously unreleased acoustic version of "Everlong" and two new tracks "Wheels" and "Word Forward" which were produced by Nevermind's producer Butch Vig. Grohl has been quoted saying the Greatest Hits is too early and "...can look like an obituary." He does not feel they have written their best hits yet.[16]
The last minute Foo Fighters show at Paladino's in Tarzana, California on Wednesday night (December 22) was being shot for a documentary. Not only was new material from the band's forthcoming album aired, but for the encore, the remaining members of Nirvana played together for the second time since the death of Kurt Cobain.
Grohl behind the drum kit, was joined onstage by bassist Krist Novoselic and the band's live guitarist Pat Smear for a version of the 1993 Nirvana b-side 'Marigold',[17] one of the few Nirvana tracks Grohl had actually done vocals for.
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